Anna Caterina Antonacci
Awarded as one of the finest sopranos of her generation Anna Caterina won prestigious prizes at competitions like the Voci Verdiane Callas and Pavarotti contests. She was awarded the French Republic has awarded her the most prestigious award, being awarded the Chevalier de l'Ordre National de la Legion of Honor. The album she recorded is called L'Alba separa dilla luce, L'ombra, with Donald Sulzen for Wigmore Live. It features tracks from Tosti Cilea. Anna Caterina received the Accademici Effettivi award in 2020 by the elite panellists of the General Assembly of the Academicians of Santa Cecilia. Anna Caterina performed as Madame de Croissy at Teatro dell'Opera di Roma during the 22/23 season. The production is led by Emma Dante. The upcoming season will see Anna Caterina will perform the same role again at the Bayerische Staatsoper. Anna Caterina Antonacci hails from Italy. She is well-known due to the role she's performed in bel canto and arias as well as the baroque repertoire. She was mezzo-soprano throughout her career especially in her role in the Rossini canon. Aged 62, Anna Caterina Antonacci's height is not available currently. Anna Caterina Antonacci will have her height, weight and Body Dimensions updated soon. The actress is currently unmarried. She has not dated anybody. We do not have any information about her prior relationship or commitment. According to our data, she's never been married and has never had kids. Her net worth is expected to increase significantly in 2022-2023. Anna Caterina Antonacci has reached the age of sixty-two. Anna Caterina Antonacci gets most of her income from being an extremely well-known and popular singer. Anna Caterina Antonacci (born 5 April, 1961) is a famous Italian soprano who is famous for her roles in the bel-canto and Baroque repertories. The mezzo-soprano focused on Rossini's canon over several years. Antonacci was a Bologna-trained vocalist and performed her Arezzo debut in the role of Rosina in 1986. She was profiled at length by The New York Times in March 2012.






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